Protomartyr

Upcoming shows

11.02.2027
Irish Centre - Leeds (uk)
12.02.2027
The Garage Glasgow - Glasgow (uk)
13.02.2027
Band on the Wall - Manchester (uk)
15.02.2027
The Lantern - Bristol (uk)
16.02.2027
Electric Brixton - London (uk)
18.02.2027
L'Aéronef - Lille (fr)
19.02.2027
Le Trabendo - Paris (fr)
20.02.2027
Botanique - Brussels (be)
22.02.2027
Paradiso - Amsterdam (nl)
23.02.2027
Bahnhof Pauli - Hamburg (DE)
24.02.2027
Pumpehuset - Copenhagen (dk)
26.02.2027
Bi Nuu - Berlin (de)
27.02.2027
UT Connewitz - Leipzig (de)
28.02.2027
Meetfactory - Prague (cz)
Click here to see past shows...

Protomartyr – Hotel Usona

On September 25, Protomartyr will release Hotel Usona, their seventh full-length studio album.

Recorded with legendary producer Dave Fridmann (Nick Cave, MGMT, The Flaming Lips) at his own Tarbox Road Studios in western New York, it’s an effort that finds the Detroit post-punk outfit reckoning with the horrors of our current moment. It is not easy listening.

It’s essential.

Over the last two decades, Protomartyr—vocalist Joe Casey, drummer Alex Leonard, bassist Scott Davidson, guitarist-multi-instrumentalist and co-producer Greg Ahee—have built one of the most rewarding and often exhilarating bodies of work in recent memory by veering in and out of darkness, grappling with what most frightens us, saddens us, disgusts us, embarrasses and enrages us. The stuff that makes us human.

Casey has imagined his country as an aging hotel here, each song a room haunted by its own troublesome guest: the slow paralysis of modern life (“Sounds We Cannot Hear”), AI (“Feed the Sewer”), deportation (“Third Country”), warped patriotism (“Exalted Eagles”), violence (“The Knife Dream”), JD Vance (“Converts”), and the often unbearable weight of becoming a father anyway (“Checking Out”). It’s a hard look at a nation in free fall, gripped by fascism.

Musically, Ahee has built worlds within a world, drawing new influence from the Middle East and ‘50s exotica, finding common ground between dread and joy, a speciality. All of it—Leonard’s drumming in particular—is rendered more tangible and terrifying by Fridmann, whose son, Jon, contributes horns. You can feel the stakes in every song, feel the band levitating to meet them. They’ve never sounded more powerful.

Take it from someone who knows: Iggy Pop.

What is a Protomartyr? I don’t really know, but I imagine it may refer to an earthly being who wants a little more than the usual shit out of life. A person or persons who want to be part of something beautiful and interesting, with the understanding that you may pay a price for that, and that others who come after will have an easier time. Kind of like Jesus.

So then there is Protomartyr the band. Four guys who are very, very skilled musicians and creators who I suspect would be totally fucked without the intervention of their talents, which are considerable.

They are, to put it crudely, a kind of rock band out of Detroit. That’s a subject I know something about.

And they’ve made a new album. It is highly themed and symphonic in its reach. I could call it a kind of drive-through Sgt. Peppers, but that would miss the mark. This record is Wagnerian, it reminds me very much of the Opera Tristan and Isolde (by Richard Wagner). Musically, it sounds modal, and kind of chromatic, like I imagine Celtic war horns might sound in some forgotten battle. The singer, Joe Casey, is blessed with a beautiful voice that you want to listen to, but he stays perverse enough to keep things interesting when he wants to get petulant or a little bitchy.

One of my favorite moments on the record is when he simply announces, all alone, “We got a bad review.” Which presides a furious outpouring from the entire group. Wow! I wish I thought of that! And in today’s world, how relatable! Who hasn’t gotten a bad review? Plumbers, shoe salesmen, etc etc etc. right up to Influencers. All is reviewed… I’m trying hard not to let this attempt at biography turn into a review, but hey, I’ve been listening to these guys for quite a while now and I get the feeling that they are a slow growth item, something that is gaining followers, listeners, and respect little by little, over the long haul. There’s a lot of content here. The four of them can shift rhythms and harmonics very, very smoothly in a way that seems effortless. It’s the mark of fine arts in a popular group.-

To their everlasting credit, you will not hear any recycled Led Zeppelin or Country Blues music here. This is thoroughly modern storytelling. If I were marketing the group, I suppose I would have to talk about their fuckability, their enviability and their world leadership, so let’s get that out of the way: It’s well known that all members of Protomartyr are great in bed. The group collectively is worth several billion dollars, all inherited wealth. They own several casinos in the Detroit area. Politically, they are somewhere left of the Strokes, but have also received “The Domino’s Pizza Prize For Best Emulation of Jesus 2026.”

May God bless and Godspeed them.

 

Video's

Releases

Hotel Usona
Domino(2026)
Formal Growth In The Desert
Domino(2023)
Ultimate Success Today
Domino(2020)
Relatives In Descent
Domino(2017)
The Agent Intellect
Hardly Art(2015)
Under Color of Official Right
Hardly Art(2014)
No Passion All Technique
Domino(2012)

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