Moth Club - London (uk)
L'International - Paris (fr)
Joker's Pub - Angers (fr)
Epicerie Moderne - Lyon (fr) + Kevin Morby
Les Trinitaires - Metz (fr) + Kevin Morby
La Laiterie - Strassbourg (fr) + Kevin Morby
La Lune Des Pirates - Amiens (fr) + Kevin Morby
La Nef - Angouleme (fr) + Kevin Morby
Le Temps Machine - Tours (fr) + Kevin Morby
CCM John Lennon - Limoges (fr) + Kevin Morby
Le Chabada - Angiers (fr) + Kevin Morby
Le Confort Moderne - Potiers (fr) + Kevin Morby
Le Grand Mix - Tourcoing (fr) + Kevin Morby
WUK - Vienna (at) + Kevin Morby
Meetfactory - Prague (cz) + Kevin Morby
Feierwerk - Munich (de) + Kevin Morby
UT Connewitz - Leipzig (de) + Kevin Morby
Heimathafen NeuKöln - Berlin (de) + Kevin Morby
Kulturkirche - Cologne (de) + Kevin Morby
KUZ - Mainz (de) + Kevin Morby
Antigel Festival - Geneva (ch) + Kevin Morby
Night Shop is the songwriting project of Justin Sullivan.
Sullivan has worked as a touring drummer for the past twenty years, much of which was spent playing house shows, warehouses, and art spaces with a half dozen diy punk bands, including Ringers and an early incarnation of Worriers. In 2009, he joined the Babies alongside Kevin Morby and Cassie Ramone. When the band went on hiatus in 2013, Sullivan moved to Los Angeles with Morby and continued working with him as a staple of the live band and playing on all of Morby’s studio albums. In the meantime, Sullivan also formed the fuzz punk outfit Flat Worms, with Tim Hellman of Oh Sees and Will Ivy.
But in the middle of a tour in August of 2016, Sullivan realized the rigors of the road had grown to be too much. He made the decision to take a full calendar year away from touring and focus, for the first time, on writing his own music.
Naturally, the title of the album is a reference to this time period, but it’s also part of a larger philosophy that shapes the songs.
“It reminded me of how it felt when my friends and I were all first getting excited about music,” Sullivan says. “We’d work our jobs and go through the mechanics of life, and music was an escape—time we’d steal for ourselves in the midst of the chaos of living and figuring out who we were.” In The Break was written during these moments.
It is is an album that lives in convenience stores, parking lots, late night diners, and the strange cracks of life where a fleeting type of romance breathes. It’s an album celebrating love and people. New lovers, old flames, former bandmates, far flung friends, and the people we meet in the off hours. In the strange spaces and times that don’t feel like the story of what we thought our lives would be. It’s what we see in the break.
Like most of Sullivan’s projects, the album is a family affair. His former touring and recording partner in the Kevin Morby band, Meg Duffy (Hand Habits), plays bass on several of the songs and sings backup vocals on “On the Island” and “Here With Me Now.” Flat Worms cohort Will Ivy plays lead guitar on “The One I Love”, “In the Break”, “You Are The Beatles,” and “I Was Alone”. Mare label mate and soon-to-be touring partner Anna St. Louis sings backup on “The One I Love” and “Where Does Everyone Go?” The album was engineered by Jarvis Taveniere of Woods, a longtime collaborator from Sullivan’s time in Brooklyn, and mixed by Drew Fischer, who previously worked with Sullivan on Morby’s first two records and the Babies second album “Our House on the Hill.”
In the Break is the project”s first full length album, following a self-titled e.p.released in 2017 by 1234 Go! Records. “In the Break” comes out Sept. 17th; the band will tour the U.S. with Waxahachee and Anna St. Louis in September and Shannon Lay in October.
“For the past twenty years, Justin has been guided by music, moving through the world one song at at time. No matter the project, he has always been seen less as a drummer and more as the yin to the songwriters yang, with his defined ability to help craft a song into exactly what it should be. He is a secret weapon – the thread that runs through many people’s favorite records.
And so it is here that he steps out from behind his kit for the first time and to stage center as Night Shop. When I think about this record, a lyric from “A Hard Rain’s A-Gonna Fall,” comes to mind. It’s the line where Dylan sings, “I’ll know my song, well before I starting singing.” In The Break is the product of someone who has had a lot to say and has waited for the perfect moment to say it.” -Kevin Morby