Paradiso - Amsterdam (nl)
Molotow Skybar - Hamburg (de)
Berghain Kantine - Berlin (de)
Ritus Underground - Düsseldorf (de)
Supersonic - Paris (fr)
Het Bos - Antwerpen (be)
The Lexington - London (uk)
Rough Trade Bristol - Bristol (uk)
YES - Manchester (uk)
Pop Recs - Sunderland (uk)
Broadcast - Glasgow (uk)
Dead Wax - Birmingham (uk)
Moth Club - London (uk)
L'International - Paris (fr)
Joker's Pub - Angers (fr)
Epicerie Moderne - Lyon (fr) + Kevin Morby
Les Trinitaires - Metz (fr) + Kevin Morby
La Laiterie - Strassbourg (fr) + Kevin Morby
La Lune Des Pirates - Amiens (fr) + Kevin Morby
La Nef - Angouleme (fr) + Kevin Morby
Le Temps Machine - Tours (fr) + Kevin Morby
CCM John Lennon - Limoges (fr) + Kevin Morby
Le Chabada - Angiers (fr) + Kevin Morby
Le Confort Moderne - Potiers (fr) + Kevin Morby
Le Grand Mix - Tourcoing (fr) + Kevin Morby
WUK - Vienna (at) + Kevin Morby
Meetfactory - Prague (cz) + Kevin Morby
Feierwerk - Munich (de) + Kevin Morby
UT Connewitz - Leipzig (de) + Kevin Morby
Heimathafen NeuKöln - Berlin (de) + Kevin Morby
Kulturkirche - Cologne (de) + Kevin Morby
KUZ - Mainz (de) + Kevin Morby
Antigel Festival - Geneva (ch) + Kevin Morby
Forever Night is the latest album from Night Shop, the songwriting project of Justin Sullivan, and his first full-length album on Dangerbird Records.
A frequent collaborator with Kevin Morby, Sullivan has also performed live with Waxahatcee, Hand Habits and Anna St. Louis, and continues to play in LA post-punk outfit Flat Worms.
The latest signpost on his musical journey is Forever Night, a record that begins with the titular song, moving with the jacked-up pace of a long forgotten power pop anthem being hummed on a city avenue outside the late night cafe.
As Sullivan puts it: “It’s a song about feeling grateful and inspired by the pace and lessons of the city and the pace and lessons of getting to experience a life spent playing music. It feels like the statement of purpose of the album.”
From there the album flows through various sonic moods and tones, while the lyrics invoke literary themes and imagery, like a back-pocket paperback brought to an all-night diner where an old jazz standard plays. There’s references to Ulysses, The Divine Comedy, as well as film noir, old Hollywood and frequent geographical name checks — Pensacola, Paris, The New Jersey Turnpike — representative of a life spent on the road.
Forever Night features a reunion with Meg Duffy (Hand Habits), a long time touring compatriot in the Kevin Morby band and their first time on vinyl together since Morby’s City Music. Duffy provides bass to most of the songs and sings on “Just to Get Home”. Another frequent collaborator Jarvis Taveniere (Purple Mountains, Woods) co-produced the album, which also features Evan Weiss (Sparks) on guitar, drummer Tiffanie Lanmon and Alex Fischel (Spoon), as well as backing vocal performances from Jess Williamson on “For a While” and Anna St. Louis on “Let Me Let It Go”.
And while Forever Night is clearly his most realized work and the sound of a songwriter fully coming into his own, it’s this sense of continuum of working with others that Sullivan says is the through line that defines all of his endeavors:
“This is a special album to me but it is also merely part of the continued joy of making music with my friends. If we’re still here, after all these years, then we’re very, very lucky. So let’s enjoy it and let’s do it to honor those who couldn’t make it to this day, for whatever reason. Let’s not take it for granted.”